Constanze Köhn M.A.

Constanze Köhn studied musicology (major) and philosophy (minor) at the University of Vienna (BA), the Ruprecht Karls University of Heidelberg (MA) and the Università degli Studi di Pavia in Cremona. She completed her master’s degree in 2017 with a thesis on theatrical aesthetics in Ferruccio Busoni’s Arlecchino oder Die Fenster. From 2017 to 2024, she was a research associate on the FWF project Transfer Processes in Viennese Music Culture, 1755–1780: Music Market, Editing Practices, New Audiences, as well as the subsequent project Paper and Copyists in Viennese Opera Scores, 1760–1770, under the direction of Prof. Dr Martin Eybl at the Institute for Musicology and Performance Studies at the mdw – University of Music and Performing Arts Vienna. From 2024 to 2025, she was a research associate on the FWF project Composing | Publishing | Performing Opera: The Making of Alban Berg’s Wozzeck and Lulu at the Alban Berg Foundation in Vienna. She submitted her dissertation “The Society of Associates: Aristocratic Patrons of Oratorio Performances in Vienna 1788–1814” at the mdw in 2025. Since October 2025, she has been working as a research associate on the DFG project Digital Liszt Source and Work Catalogue (LisztQWV) at the Department of Musicology at the University of Heidelberg.

List of Publications