Geschichte des Seminars
The Heidelberg Department of Musicology looks back on more than 100 years of research and teaching. The foundations for musicological research in Heidelberg were laid as early as the 19th century.

Table
1805 | Anton Friedrich Justus Thibaut (1772–1840), jurist and music lover, resides at Augustinergasse 7 for three years and founds a Singverein (Choral Society) in Heidelberg. |
1807 | Heidelberg University offers its first instructional courses in music (initially consisting of practical music lessons). |
1825 | The Alte Aula of Heidelberg University is utilized as a venue for music for the first time (initially for musical practice sessions by students). |
1859 | Establishment of a permanent, salaried position for an Academic Music Director at the Theological Seminar of Heidelberg University: Karl Boch (1825–1894). |
1860 | The first lectures in musicology take place within the Faculty of Philosophy: Ludwig Nohl (1831–1885). |
1885 | A second Academic Music Director assumes his duties alongside Boch at the Theological Seminar of Heidelberg University: Philipp Wolfrum (1854–1919); he is appointed “Extra-Ordinary Professor” in 1888. Has also been responsible for the music of university worship services since 1893 |
Founding of the Heidelberg "Bach Society" by Wolfrum | |
Founding of the "Academic Choral Society" by Wolfrum | |
1894 | Establishment of the first permanent position of University Music Director (UMD): Philipp Wolfrum |
1896 | Founding of the Heidelberg "Academic Richard Wagner Society" |
1898 | Establishment (on a temporary basis) of the first extraordinary professorship for “Musicology – specifically the Theory and History of Music” within the Faculty of Philosophy: Philipp Wolfrum |
1903 | Conferral of an honorary doctorate upon the composer Richard Strauss |
1906 | Authorization of the first position for a "Academic Music Assistant": Fritz Stein (1879–1961) |
1916 | On July 16, Philipp Wolfrum conducts the world premieres of Max Reger’s final two choral works Der Einsiedler (Op. 144a) and Requiem (Op. 144b) in Heidelberg |
1919 | Students successfully advocate for the administrative separation of practical music instruction from musicology (following Wolfrum’s death) |
1920 | Hermann Poppen (1885–1956) assumes the office of Academic Music Director |
Establishment of the ordinary professorship in Musicology: An offer is going to Hermann Abert (1871–1927); following his refusal, the offer is accepted by Theodor Kroyer (1873–1945) | |
Founding of the "Collegium Musicum" by Kroyer | |
1921 | Founding of the Department of Musicology at Augustinergasse 7 |
Establishment of the Seminar Library and the provision of generous funding for the acquisition of literature through the "Hedwig Marx-Kirsch Foundation" (named after the pianist, 1884–1920) | |
1925 | Hans-Joachim Moser (1889–1967) succeeds Theodor Kroyer – who had been appointed to Leipzig in 1923 – in the professorship of musicology. |
1928 | Heinrich Besseler (1900–1969) succeeds Hans-Joachim Moser – who had been appointed to Leipzig in 1927 – in the professorship of musicology. |
Acquisition of a portion of the Thibaut Collection by Besseler through the auction of Werner Wolffheim’s music library. | |
1936 | Conferral of an honorary doctorate upon the composer Jean Sibelius. |
1948 | Thrasyboulos G. Georgiades (1907–1977) succeeds Heinrich Besseler – who had been removed from his post due to his involvement with National Socialism – in the professorship of musicology. 1955: Conversion of the professorship into a full chair (Chair of Musicology) |
1957 | Walter Gerstenberg (1904–1988) succeeds Georgiades in the Chair of Musicology |
1963 | Reinhold Hammerstein (1915–2010) succeeds Gerstenberg in the Chair of Musicology |
1964 | Establishment of a second professorship in musicology: Siegfried Hermelink (1914–1975) |
1980 | Wilhelm Seidel (1935–2020) succeeds Hermelink in the professorship of musicology |
1981 | Ludwig Finscher (1930–2020) succeeds Hammerstein in the Chair of Musicology |
1982 | Herbert Schneider (*1941) succeeds Seidel – who had been appointed to Marburg in 1982 – in the professorship of musicology |
1989 | Launch of the Heidelberg Academy of Sciences’ project on the musical holdings of the Cappella Sistina (directed by Ludwig Finscher: 1989–2001) |
1990 | Launch of the Heidelberg Academy of Sciences’ project on the "History of the Mannheim Court Chapel in the 18th Century" (directed by Ludwig Finscher: 1990–2005) |
1994 | Ludwig Finscher is inducted into the "Order Pour le Mérite for Sciences and Arts" |
1996 | Silke Leopold (b. 1948) succeeds Finscher as holder of the Chair of Musicology |
1997 | Dorothea Redepenning (b. 1954) succeeds Schneider as Professor of Musicology |
1998 | Founding of the Marionette Opera by Joachim Steinheuer (active until 2021) |
2006 | Launch of the Heidelberg Academy of Sciences’ project on the "History of Southwest German Court Music in the 18th Century" (directed by Silke Leopold: 2006–2020) |
Ludwig Finscher receives the prestigious "Balzan Prize for the History of Western Music since 1600" | |
2015 | Inga Mai Groote (b. 1974) succeeds Leopold as holder of the Chair of Musicology |
2020 | Christiane Wiesenfeldt (b. 1972) and Christoph Flamm (b. 1968) succeed Inga Mai Groote and Dorothea Redepenning |